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Sample The Sierra Sponsor Brings Works Of Pioneering Feminist Photographer To Museum

Sample the Sierra will showcase more than 20 artists and artisans, celebrating not just food and spirits, but the arts community, too.

Those attending the festival can also appreciate an upcoming exhibit at the Nevada Museum of Art, a Sierra Stage sponsor of Sample the Sierra.

The Nevada Museum of Art will display an incredible series of works from visionary photographer Anne Brigman (1869-1950) from September 29, 2018 to January 27, 2019 at the museum in Reno, Nevada. To learn more about the exhibit, view the press release below or visit http://www.nevadaart.org/exhibition/anne-w-brigman.

Reno, Nev. – This fall, the Nevada Museum of Art invites visitors to rediscover the groundbreaking work of visionary photographer Anne Brigman (1869-1950) in this first major retrospective. Consisting of 250 photographs drawn from public and private collections, Anne Brigman: A Visionary in Modern Photography features this pioneering artist’s most iconic work, including her early photographic explorations, as well as many never-before-seen images, correspondence, and archival materials.

Photographer, poet, critic, and mountaineer, Brigman is best known for her figurative landscape images made in the Sierra Nevada in the early 1900s. Anne Brigman: A Visionary in Modern Photography opens September 29, 2018 and remains on view through January 27, 2019 at the Nevada Museum of Art, Donald W. Reynolds Center for the Visual Arts, E. L. Wiegand Gallery located in downtown Reno, Nevada.

To accompany the exhibition, The Nevada Museum of Art and Rizzoli Electa, New York, have published the first comprehensive book devoted to Anne Brigman, and have also republished Brigman’s 1949 out-of-print poetry book, Songs of a Pagan.

Raised in a prominent late-nineteenth-century Hawaiian missionary family, there is no doubt that Brigman’s nude portraits of herself and other women, taken outdoors in the California landscape in the early 1900s, challenged the customs of her Victorian upbringing and broke the rules of propriety for her time. Brigman’s significance spanned both coasts of the United States. In Northern California, where she lived and worked, she was a leading Pictorialist photographer, proponent of the Arts & Crafts movement, and a participant in the burgeoning Berkeley/Oakland Bohemian community. On the East Coast, her work was promoted by Alfred Stieglitz, who elected her to the prestigious Photo-Secession and championed her as a Modern photographer.

Although the term feminist art was not coined until nearly seventy years after Brigman made her first photographs, the suggestion that her camera gave her the power to redefine her place as a woman in society establishes her as an important forerunner in the field. “My pictures tell of my freedom of soul, of my emancipation from fear,” Brigman wrote in 1913. “I slowly found my power with the camera among the junipers and the tamarack pines of the high, storm-swept altitudes.”

“The time is right to rediscover the work of Anne Brigman,” said exhibition curator and book editor Ann M. Wolfe, Andrea and John C. Deane Family Senior Curator and Deputy Director at the Nevada Museum of Art. “The thought of a woman making nude self-portraits of herself in the early 1900s was radical, but to do so in the rugged wilderness of the Sierra Nevada was revolutionary.”

Outdoor landscape settings offered Brigman, and the female artists who followed her, the freedom to confront art historical traditions, embrace nature, and re-claim a space for women through their art. To illustrate this, a companion exhibition, Laid Bare in the Landscape, assembles photographs, films, and performance documentation by women artists who also situate the nude female body in outdoor landscapes. From beautiful and sensual self-portraits, to sometimes-surreal and provocative statements by feminist artists beginning in the early 1970s, these women interrogate ideas surrounding beauty, femininity, vulnerability, ritual, identity, and body politics, as they relate to nature and the environment. According to Wolfe, “to compare the proto-feminist landscape photographs of Brigman to her feminist counterparts of the latter twentieth- and early twenty-first centuries is to weave a new thread through generations of visionary women artists who have aimed to further alternative ways of seeing and knowing.”

The exhibition features: Laura Aguilar, Judy Chicago, Imogen Cunningham, Louise Dahl-Wolfe, Judy Dater, Mary Beth Edelson, Regina Jose Galindo, Kirsten Justesen, Ana Mendieta, Joan Myers, Otobong Nkanga, Cara Romero, Carollee Schneemann, Xaviera Simmons, Jo Spence, Sarah Trouche, and Francesca Woodman. The largest exhibition of Brigman’s work to date, Anne Brigman: A Visionary in Modern Photography brings together 250 photographs drawn from the private collection of Michael and Jane Wilson and the Wilson Centre for Photography in London, The Metropolitan Museum of Art, the George Eastman Museum, the Oakland Museum of California, MoMA, New York, the J. Paul Getty Museum, and many private collections. London-based Michael Wilson, the world’s foremost collector of 19thcentury photography, who is also an American film producer and screenwriter, is credited with encouraging the rediscovery of Anne Brigman’s work and generously loaned many photographs from his from his significant Brigman holdings for the exhibition. The exhibition is accompanied by the first comprehensive book devoted to Anne Brigman, published by the Nevada Museum of Art and Rizzoli Electa in New York.

The special deluxe packaging for this publication includes a box containing two volumes: one large 400-page book is devoted to Brigman’s photographic career. Also included is a re-published volume of Brigman’s 1949 book of poetry, Songs of a Pagan. A special archive component of the publication includes transcriptions of Brigman’s writings, correspondence with Alfred Stieglitz, early works, linoleum-block prints, and Brigman’s never-before-seen negatives that were recently digitized. The book is written and edited by Ann M. Wolfe, with contributions from art historians and scholars who have long been dedicated to Brigman’s life and work. They include: Susan Ehrens (art historian and independent curator); Alexander Nemerov (Department Chair and Carl & Marilynn Thoma Provostial Professor in the Arts and Humanities at Stanford University); Kathleen Pyne (Professor Emerita of Art History at University of Notre Dame); Heather Waldroup (Associate Director of the Honors College and Professor of Art History at Appalachian State University). The book is designed by Los Angeles-based Brad Bartlett, two-time winner of the Frances Smyth-Ravenal Prize for Excellence in Publication Design, a grand prize awarded by the American Alliance of Museums for the best publication designed by an art museum in the United States.

Throughout the exhibitions’ run, a number of educational and public programs will take place at the Nevada Museum of Art, beginning with a half-day symposium on Saturday, September 29. Anne Brigman: The Symposium features the five scholars who contributed to the publication (Ann M. Wolfe, Susan Ehrens, Alexander Nemerov, Kathleen Pyne, and Heather Waldroup) in dialogue about Brigman’s photography, poetry, and legacy. The half-day event, a program of the Debra and Dennis Scholl Distinguished Speaker Series presented by Whittier Trust, takes place in the Museum’s Nightingale Sky Room, with stunning views of the Sierra, from 9:30 am to 12:30 pm, and is followed by a buffet lunch. Other notable events include an October 6 Brigman-themed art hike collaboration with Trails & Vistas, a theatrical performance, Winter Solstice yoga, and a January 24 talk by artist Judy Chicago.

To see the complete programming line-up, please visit http://www.nevadaart.org/exhibition/anne-w-brigman.

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